An analysis of william shakespeares act v scene i of othello

Summary Act 4

Active Themes Montano, Graziano, and Iago enter. At this point, Cassio joins Iago and offers to lend assistance in reviving the General only to be dissuaded by Iago who argues that a coma is better left to run its course, and, seeing the General coming to, he persuades Cassio to absent himself from the General for now, but to stay nearby as Iago would like a word with him.

Retrieved November 26, In the skirmish, Iago flees but not before fatally wounding his wife. Suddenly Bianca herself appears on the scene. How often theme appears: This hatred for Othello consumes Iago, yet his motivations are less important to the plot and themes of the plan than the outcomes of his evil manipulations.

Summary Act 5

However, he must defend himself first from the accusations of Brabantio, who claims that he has stolen Desdemona by witchcraft. The location emphasizes the distance from their familiar world.

Roderigo confesses doubts about his potential to woo Desdemona, but Iago assures him that there is hope. He accuses her of falseness, and Desdemona, not knowing what she has done to offend, can only assure him that she loves him.

Although Brabantio accuses Othello of seducing his daughter by witchcraft, Othello explains that he won Desdemona by telling her his adventures, and Desdemona, called to testify, convinces the senators that she has freely gone with Othello and married him for love.

By refusing to speak, Iago retains some of the directorial control of events that he has striven for throughout: Cassio, wounded, confirms Emilia's story. Visit Shakespeare's family homes. In other words, prejudice works as a kind of strategy to identify outsiders and insiders and to place yourself within the dominant group.

She explains how Desdemona's handkerchief came into Cassio's possession, and when she refuses to be quiet, Iago stabs her. Cassio and Bianca discuss how Cassio obtained the embroidered handkerchief that he then gives to Bianca to copy.

He is not interested in her innocence, in her pleas to be given a chance to explain the truth behind appearances, because he is so consumed by the "monster" of jealousy that he is certain that she is guilty. In the fight that ensues, Iago goes undetected and wounds Cassio.

In this scene, Iago reveals himself to Roderigo and the audience as a self-seeking, malicious individual who will use every device in order to attain his "peculiar end" Iago, meanwhile, makes a show of recognizing Cassio's attacker as Roderigo of Venice, and also implicates Bianca as being in on the plot to kill Cassio by getting her to admit that Cassio had dined with her that night.

Iago kills Emilia because she did betray him—but she betrayed him for the greater good, and Iago's violence toward her is more graphic and terrible than the smothering of Desdemona, bringing home his full villainy.

He encourages Othello to listen in on, and misinterpret, part of a conversation between Cassio and his mistress, Bianca. Ever the fool, Roderigo is once again persuaded to go along with Iago.

The Duke appoints Othello as general of the defense forces against the Turks, and he must leave for Cyprus immediately.

Othello: The Moor of Venice

To himself, Iago decides to make use of Cassio, the man he deeply resents and who received the promotion he himself wanted, as the instrument to destroy Othello.

Iago manipulates Roderigo's jealousy and sense of honor to get him to attach Cassio. Yet, at the same time, when he tells of stabbing the Turk, he also stabs himself.

Desdemona requests permission to accompany Othello to Cyprus. Retrieved November 26, Othello is a man of high position, as well as one of high honor and one who is, therefore, worthy of being considered a tragic hero.

The extent and depth of his hate for Othello and his desire and willingness to totally destroy him require a motivation more compelling than having been passed over for this promotion. By killing Cassio, Roderigo would create a vacuum in the chain-of-command which would compel Othello, and by extension Desdemona, to linger in Cyprus.

But he will continue to appear to "serve" Othello so that eventually he can "serve [his] turn upon him" When Othello awakes, Iago urges him to conceal himself from view and to watch as Cassio relates his goings-on with Desdemona unto Iago. In the play, Iago cynically describes Venice as a place of moneybags, treachery, and promiscuity, and insinuates that a black man can never be other than an outsider.

Moved by Iago's loyalty to him, Othello steels himself to go and kill Desdemona in her bed. One night, he hears from his soldier friend, Iago, that Desdemona has secretly married his General, the Moorish Othello.

The most prominent form of prejudice on display in Othello is racial prejudice. Reality Themes and Colors LitCharts assigns a color and icon to each theme in Othello, which you can use to track the themes throughout the work.

Lodovico avows that Iago will be prosecuted to the full extent of the law and then some. Bianca responds by saying that she is as honest as Emilia. Act V, scene ii: A bedchamber in the castle: DESDEMONA in bed asleep; a light burning.

Othello Analysis

Summary. Othello enters Desdemona's room while she is asleep; and though she is beautiful, and appears innocent, he is determined to kill her. Convinced of his wife's betrayal and enraged and grieving, Othello rushes into action, making an agreement with Iago that he, Othello, will kill Desdemona, and Iago will dispose of Cassio.

Desdemona, true to her word to Cassio, continues to plead on his behalf. Literature Network» William Shakespeare» Othello» Summary Act 4. Summary Act 4. Act V.

Scene II. Character Summary. Summary Act 1. Summary Act 2. Summary Act 3. Summary Act 4. Summary Act 5. Art of Worldly Wisdom Daily. In the s, Balthasar Gracian, a jesuit priest wrote aphorisms on living life called "The Art of Worldly. Indeed, Iago is set up as the antagonist from the very first lines of the play where he cites that “were I the Moor I would not be Iago/In following him I follow but myself/Heaven is my judge, not I for love and duty” (Act I, scene I, lines ), roughly meaning that he does not follow Othello out of love or duty for his superior officer.

Iago then instructs Emilia to inform Othello and Desdemona of all of these very surprising events. Left alone, Iago comments that this night will make him or break him.

As it's already broken Roderigo, Cassio, Othello, and Desdemona, take a guess where the odds are stacked. When Othello justifies Iago’s suspicion by mentioning Desdemona’s handkerchief, of its being in Cassio’s possession, Emilia proves to Othello that his understanding of how the handkerchief got into Cassio’s hand is patently false, that Iago had made it seem as if Desdemona had .

An analysis of william shakespeares act v scene i of othello
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The theme of Prejudice in Othello from LitCharts | The creators of SparkNotes